Posted on by Cameron Tewson

Christopher Kane‘s spring-summer 2018 collection was an exercise in what’s domesticated, what’s fetishistic. The designer, who never disapoints in creating some of the most unorthodox fashion statements, had a story on his mind. A story of a pristine lady, very proper and neat, a 100% perfectionist, who has an emotional breakdown. Her life is domesticated, but she feels a need for sexual freedom – after all, she’s not that innocent. From elegant, 40s housecoats to desultory dusters, the inspirations behind Kane’s new collection span from absolutely refined couture-detailing to the most common household objects. Looks were finished with the finest of Atelier Swarovski jewels – showcasing the brands long-standing partnership.

The collection was not only a daring stance on sexuality found in day-to-day fetishes, but also a nod to British class boundaries that have affected women for centuries. It’s as if a housewive went bad, very bad, and fell an affection for flirty satin and lace lingerie. And she has certainly put her hands on John Kacere‘s coffee-book, that probably counted as the dirtiest gift given from her husband’s boss. The artist, whose artworks were developed as prints for Christopher’s dresses and t-shirts, almost solely devoted himself to idealized depictions of the female body (sometimes in lingerie, sometimes not). That’s a naughty tale, indeed.


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About Cameron Tewson

Cameron Tewson is the editor and founder of frontrowedit.co.uk. The online media outlet which launched in 2012 was designed to share his thoughts and observations within the fashion & luxury industry. Rising through the ranks. Since leaving school at the tender age of 16, Cameron has consulted for leading global organisations and has been named one of the 7th top influencers to follow as well as a 30 under 30 rising star in the UK. He can be found instagramming at @camerontewson View all posts by Cameron Tewson →

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