{"id":8029,"date":"2019-10-02T16:13:47","date_gmt":"2019-10-02T16:13:47","guid":{"rendered":"https:\/\/frontrowedit.co.uk\/?p=8029"},"modified":"2019-10-02T16:13:47","modified_gmt":"2019-10-02T16:13:47","slug":"streamlined-chanel-collection-shines-in-paris-despite-catwalk-crasher","status":"publish","type":"post","link":"https:\/\/frontrowedit.co.uk\/streamlined-chanel-collection-shines-in-paris-despite-catwalk-crasher\/","title":{"rendered":"STREAMLINED CHANEL COLLECTION SHINES IN PARIS DESPITE CATWALK CRASHER"},"content":{"rendered":"

Gigi Hadid\u2019s position as head girl of the Instagram supermodel set was confirmed on Tuesday when she removed an interloper from the finale of Chanel\u2019s fashion show in Paris.<\/span><\/p>\n

\"\"<\/span><\/p>\n

The prankster, the YouTube comedian Marie Benoliel, wore a monochrome tweed suit \u2013 a signature of the\u00a0Chanel<\/a>\u00a0brand \u2013 and darted on to the catwalk before strutting between the models. She blended in so well that the venue\u2019s security guards appeared unable to identify her and it fell to Hadid to face up to the trespasser and shoo her off the runway.<\/span><\/p>\n

On Benoliel\u2019s YouTube channel, where she goes by the name Marie s\u2019Infiltre, her biography reads: \u201cMarie infiltrates everywhere, to better reveal the comic reality that is hidden in the news!\u201d Earlier in the week she\u00a0infiltrated an Etam presentation<\/a>\u00a0where she again passed undetected for some time as part of the show by wearing silver underwear. After the Chanel invasion she\u00a0posted a picture of herself with Hadid<\/a>\u00a0online<\/span><\/p>\n

A Chanel spokeswoman said the infiltrator had taken them by surprise but that \u201cthis is not the first time that she has done this\u201d. \u201cWe are not going to make a drama out of it,\u201d she added. \u201cWe would have preferred if it hadn\u2019t happened.\u201d The woman was \u201cescorted to the exit by our security personnel afterwards\u201d. Speaking after her stunt, Benoliel told the Guardian she had always dreamed of becoming a Chanel\u00a0\u00e9g\u00e9rie, or muse, adding: \u201cThe suit I was wearing on the catwalk actually belongs to my mom and she has been wearing it since I was born. Chanel is eternal. My tribute was a desire to take part in this eternity for a few minutes.\u201d<\/span><\/p>\n

She said her comedy was \u201can exhaustive satire about our society\u201d. Over the past four years she has produced more than 100 YouTube videos \u201cwhere I immerse myself in public events and situations\u201d. The goal, she said, was to \u201cshow how funny some situations and sometimes extreme behaviours are \u2026 I am not making fun of people. I am pointing out how silly some people can be when they lack distance and thinking.\u201d<\/span><\/p>\n

On her exchange with Hadid, she said: \u201cGigi was quite nervous and reacted quite aggressively to me. She clearly did not understand my comic approach. At some point I thought she was going to pull my hair and yell as if we were schoolgirls. \u201cGigi is obviously sublime and a fashion icon. I understand her reaction somewhat and continue to love her in spite of that.\u201d When asked how she accessed the Chanel venue, which had tight security, she said: \u201cSorry, I am a lady and a lady can\u2019t reveal her tricks I am afraid.\u201d <\/span><\/p>\n

The incident did not derail the show, which was the first ready-to-wear collection produced entirely by Karl Lagerfeld\u2019s successor, Virginie Viard. Viard was Lagerfeld\u2019s longstanding \u201cright hand\u201d, first at Chlo\u00e9 and then at Chanel, and took over at the brand after\u00a0his death in February<\/a>.<\/span><\/p>\n

The set, assembled within the soaring art nouveau arches of the Grand Palais in Paris, was a 330-metre recreation of the city\u2019s distinctive peach-coloured Lutetian limestone and zinc rooftops. Chanel\u2019s sets are always spectacular \u2013 Lagerfeld\u2019s famously consisted of aeroplanes and entire supermarkets \u2013 but this was evocative in a more understated way. It came with realistic signs of life: the creamy stone was infused with a smoky grey patina while the \u201czinc\u201d (actually painted linoleum) was tarnished.<\/span><\/p>\n

Perhaps the most surprising part of the aesthetic, given that this was a spring\/summer show, was that so many models wore black opaque tights. Hemlines were short, with A-line and puffball skirts cut to the mid-thigh, a departure from the longstanding midi hemline trend still seen at many of the other fashion houses.<\/span><\/p>\n

There was a kaleidoscope of tweed and boucle, from the opening look \u2013 a black suit jacket with short black kilt \u2013 to sturdy pink and red romper suits. The shoes were commercial and wearable, comprising patent flat and block-heeled sandals and the ever-popular cream and black Chanel two tones. Another standout section featured graphic, block-printed silk skirts, suits and jackets with \u201cChanel\u201d in white block capitals. Viard has already shown resort and couture collections for Chanel, though ready-to-wear tends to have the most impact. So far her output has been interpreted as quieter than the pop-art stylings of her predecessor. Some have seen Coco Chanel as the dominant influence in Viard\u2019s pared-back take on house codes.<\/span><\/p>\n

Like many of the shows this season, Viard presented a simplified way of dressing, a heartening riposte to the frequent fashion brand impulse to pile on the merchandise on the catwalk. That aesthetic \u2013 with models often wearing many-layered outfits and carrying more than one handbag on the catwalk \u2013 can feel queasily like suffocation for shoppers increasingly tuned in to concerns about sustainability.<\/span><\/p>\n

The chimneys and roof windows in the set were found at flea markets, according to notes distributed to showers. Chanel is \u201ccommitted wherever possible to recovering, recycling and\/or reusing materials and elements used in the set design for the shows\u201d, a spokesperson said.<\/span><\/p>\n

Founded by Coco Chanel as a small millinery boutique in 1910, Chanel is now a world megabrand. In 2018 its\u00a0revenues rose 13% to $11.1<\/a>b<\/a>n<\/a>\u00a0(\u00a39.1bn).<\/span><\/p>\n

This story was featured and written by The Guardian and can be viewed here<\/a>.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Gigi Hadid\u2019s position as head girl of the Instagram supermodel […]<\/p>\n","protected":false},"author":2,"featured_media":8031,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"ngg_post_thumbnail":0,"footnotes":""},"categories":[878,524],"tags":[15,485,17,1417],"acf":[],"yoast_head":"\nSTREAMLINED CHANEL COLLECTION SHINES IN PARIS DESPITE CATWALK CRASHER<\/title>\n<meta name=\"description\" content=\"Gigi Hadid\u2019s position as head girl of the Instagram supermodel set was confirmed on Tuesday when Marie s\u2019Infiltre gate crashed the CHANEL runway\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/frontrowedit.co.uk\/streamlined-chanel-collection-shines-in-paris-despite-catwalk-crasher\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" 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